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26

Jan

(Source: )

23

Jan

typeverything:

Typeverything.com - The harder you work, the luckier you get by Studio Muti.

typeverything:

Typeverything.com - The harder you work, the luckier you get by Studio Muti.

Defenestrations: Blue Orchid

jayarrarr:

That spring, he fell in love with a flower. She bloomed at night, opening her petals to the reflected light of the nascent moon. He tended her carefully; found her seeming delicate nature belied by a surprising strong nature. He watered her, tended her, nurtured her. He stayed awake far longer…

14

Dec

7knotwind:

MARC QUINN
Self 2006
2006/Sculpture208H x 63W x 63D 
made using 4.5 litres of his own blood, which was slowly extracted from his body over a period of five months and frozen in a cast of his face. Quinn has been making these roughly every five years since 1991 

7knotwind:


MARC QUINN

Self 2006

2006/Sculpture
208H x 63W x 63D 

made using 4.5 litres of his own blood, which was slowly extracted from his body over a period of five months and frozen in a cast of his face. Quinn has been making these roughly every five years since 1991 

06

Dec

thecountryfucker:

Read this. 
This is a great article about the appropriation of native american culture for fashion. It is good because of its thoughtfulness, thoroughness and objectivity. I came away from the article with my own opinions that were different than before.  
From the article:

Does that make the hip, couture Portland Collection the same sort of exploitation of Native American culture as the Urban Outfitter “Navajo” line? Here’s where it gets tricky: Pendleton blankets, while marketed to and adopted by tribes across the United States, were not originally designed or manufactured by Native Americans. So to understand the debate about the place of what we assume is Native American iconography in contemporary fashion, you have to look at the history of the Indian trade blanket.

thecountryfucker:

Read this. 

This is a great article about the appropriation of native american culture for fashion. It is good because of its thoughtfulness, thoroughness and objectivity. I came away from the article with my own opinions that were different than before.  

From the article:

Does that make the hip, couture Portland Collection the same sort of exploitation of Native American culture as the Urban Outfitter “Navajo” line? Here’s where it gets tricky: Pendleton blankets, while marketed to and adopted by tribes across the United States, were not originally designed or manufactured by Native Americans. So to understand the debate about the place of what we assume is Native American iconography in contemporary fashion, you have to look at the history of the Indian trade blanket.

The full fury of discovery; The thought that you could die today; How the music unfolds itself in you; The way you look in the natural light.
Whatever you do, just do it right.

Scarlet Bar of Sunset

He smelled like sandalwood incense and cracked old leather, like rain on pavement and clove cigarettes his sister smoked in the room next to him. I think the fact that he smelled like a cabin in the woods is why I fell into him the way I did; he was comfortable. It didn’t stop at that simple detail- I remember he had brown eyes that were easy to call home, soft hair that was easy to call a crutch when I needed one. He was easy to look at, easy to listen to- because his lips were pink and thin but they let out bright red thick thoughts burning with that familiar warmth of a flame in a fireplace in the middle of a snowstorm. I liked when he touched me because I didn’t get chills but shots of warmth, like bold roast coffee was shooting through my veins at the speed of light, and I liked when he touched me because the roughness of his hands was only soft against my skin. It was easy to kiss him because my lips were pillowy on his and he said that it always felt like he was melting into clouds when his lips were on mine, because my lips were always soft on his. He sighed whenever we made love in the winter because he could always hear the snow settling on the ground, and he said it sounded sexy when it mixed with the plucky guitar and scratchy vocals. He said it sounded sexy because my hair glowed gold in candlelight. I sighed when we made love in the winter because his hands were rough when it was right and they were soft when it was wrong and his lips were gentle when I wished them to be harsh and his breath was soft when I tried for it to be heavy. Yet I sighed when we made love because it was beautiful and terrifying against the snow and the plucky guitar and his eyes turned honey colored in candlelight and his skin lit up against the flames. He said I smelled like flowers and laundry detergent, like fire smoke and peppermint soap, and he said that I fell into his arms like the snow fell on the tree tops outside. He liked me that way, he said. 

Angeleno Femme: Here's what you will remember:

ajmarechal:

You’re in your twenties, but not far enough in to know better. You’re a tumbler of whiskey and a drive down Sunset boulevard after hours, understanding that everything is completely wrong yet completely right all the same. You want to respond to each question with a yes and a no, and the air…

Comfortable

shespeaksyvon:

Spoken Word - Comfortable

Sitting here, I start to think about my love for you. You see, my love for you has become very much like sitting in this chair. I am comfortable in it. The once fluffy armrests have lost some of their lift, but they are shaped to fit just how I like to lay my arms. See what I mean? Comfortable. And this is how I love you, with the same quiet warmth of an old chair. You may think that sounds strange. I promise you it is a good thing. We’ve gone through enough to surpass the founding stages of love. I have moved on from whimsical dreams and butterflies in my stomach. I no longer hope for the feelings of first kisses and shared evenings. These things are loud to me. My love for you is quiet. It whispers, it treads softly, it reads in the corner of my day. My love for you doesn’t fly, it doesn’t dance, it doesn’t allow me to walk on air. But, it does warm the house when it is cold. My love for you is flannel pajamas and fluffy house slippers. It is hot cocoa and black and white films. My love for you is steady. It doesn’t change with the weather like waves that rage upon the shore one day and kiss it the next. My love is a sequoia growing tall but also reinforcing itself with every root. I know you don’t understand why I love you this way. I am okay with that. All you really need to understand is that my love is here; and, I am comfortable in it.